I and two fellows of the fraternity of painters convened at Maudslay State Park in Newburyport yesterday to essay our impressions of nature. My small painting bears very little resemblance to the crystal-blue qualities of the day, but that is in keeping with my current practice of taking the subject as a starting point for however strong a painting the thing deigns to become.
Early Spring at Maudslay, Newburyport, MA 6x8 |
Landscape painter Donald Jurney is offering a workshop at Maudslay in May. I highly recommend it.
I catch myself mentally saying "Maudslay" to myself over and over (like "Manderlay" I guess) and pronouncing it "MAW-dslee" in a ridiculously pompous British accent. I just can't help imagining it populated (sparsely, of course) with figures from an Edward Gorey drawing.
I never thought I'd defend the old world empire but if not for them there would be a subdivision of McMansions there and you'd be painting from the boardwalk at Hampton beach :)
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Christopher- nice new painting!
ReplyDeleteBeautiful Painting
ReplyDeleteChris, Your painting has turned out beautifully. As far as encouraging the painting to develop without mandatory adherence to what's in front of you, Hear! Hear! I heard an interesting comment on the radio this morning, given in a very different context, that could be applied to the risk-taking in picture making: "When confronted with a slippery slope, there are two choices: crampons or skis." Thanks for mentioning the upcoming workshop. There are a couple of places left.
ReplyDeleteI agree. You captured such a beautiful essence of Spring light! It's that pause before Spring bloom.
ReplyDeleteLove your work.
ReplyDeleteBest regards,
Richard Gray
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