One artist/art historian's random take on the world's great paintings.
Friday, June 18, 2021
Emenations of Time and Eternity
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Shen Wei, Untitled No. 11, 2013, oil and acrylic on linen canvas, 82 x 211 inches Radical visions of existence, tumultuous, atmospheric, at ...
6 comments:
Wednesday, May 26, 2021
Redeeming Darkness: Notes on Resilience
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Any Human Thing #2 ("I promise nothing complete; for any human thing supposed to be complete must for that very reason infallibly be fa...
1 comment:
Monday, March 8, 2021
Reading the Sexual and Social Dynamics in Degas' Compositions
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It's no secret to art historians and discerning viewers that Degas did not make pretty pictures of ballerinas. His paintings of the ball...
2 comments:
Wednesday, December 9, 2020
Hayley Barker: The World as Ecstatic Mystery
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In “The Grass is Blue,” a series of paintings by Hayley Barker that just closed at SHRINE gallery in New York, nature is captured in colors ...
8 comments:
Tuesday, November 10, 2020
Painting the Woods with Deborah Paris
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“We can paint any number of things. But finding the things we were meant to paint is what we are after. Each of us must find our own country...
18 comments:
Sunday, February 16, 2020
Helen Booth: Life, Death, Memory, and Paint
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I first fell in love with Helen Booth's very moody abstract landscapes - dark visions of stark lights, half-shadows, and void-black sp...
1 comment:
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